I’m neither a philosopher nor a psychiatrist, and I must opt for the easy explanation. On the basis of personal belief and observation, I’d say that those of us who direct our storytelling into darker channels do so because we were perhaps a bit more mindful than most regarding our childhood confusions of identity, our conflicts with unpleasant realities and our traumatic encounters with imaginative terrors. Although there are significant exceptions, it would appear that the majority of writers who deal with the supernatural have repudiated the tenets of organised religion. In so doing they may have lost the fear of hellfire but they’ve also sacrificed any hope of heaven. What remains is an all-too-vivid fear of pain and death and a final, total, eternal oblivion.
Swipe to navigate through the chapters of this book
Please log in to get access to this content
- Later Modern Accounts
Los Angeles Science Fiction Society
- Macmillan Education UK
- Sequence number
- Chapter number